In the Broadway show that is Clay Aiken's public life, he is, of course, the leading man. His fourth full-length progresses just like the Original Cast Recording, with character development songs early ("On My Way Here"), beatific love songs in the middle ("Something About Us") and a dénouement of regret and lessons learned ("Lover All Alone"). Aiken, who debuted on the Great White Way this year in "Spamalot," sings like a theater veteran: almost too perfect, with a self-aware showmanship. But that doesn't make pop-rock nuggets like "Ashes" any less catchy, or the ballads—on which Aiken's breathy tenor could break housewife hearts—ring any less true. With big American melodies, stock AC production and general inoffensiveness throughout, this should satisfy his army of self-dubbed Claymates. —Kerri Mason